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#11
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My mind is not easily boggled, but...
Jud wrote:
mazorj wrote: While we're at it, throw in a high-relief Mae West commem. Show a lifelike bust depiction on the obverse, with the reverse inscription "Is that a roll of quarters in your pocket or are you just happy to see me?". Won't happen, for the reason that they won't stack well. 8-) When I saw them they were quite well-stacked. James the Lecher |
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#12
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My mind is not easily boggled, but...
Mr. Jaggers wrote: When I saw them they were quite well-stacked. James the Lecher ::::::::: *Rim Shot* 8-) |
#13
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My mind is not easily boggled, but...
On Mar 15, 10:28*am, "mazorj" wrote:
"Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... I've been having an email exchange with some fellow numismatists, and one of them sent me this link: http://www.archive.org:80/details/am...nalo11ameruoft You may not be interested in the subject matter, but once you get to that site, click on "flip book" over to the left, then use the arrows to turn the pages. *Somebody had to spend a lot of time at low or no wages to make that happen. The Internet never ceases to bring forth new wonders. Your loyal correspondent, having downloaded forthwith the referenced journal in text form, humbly offers for your attention the following items that were of particular interest. *oly, see No. 4. *All, see the commentary at the end on numismatic esthetics in 1877: 1. The mildly charming story of the lost and returned silver quarter-dollar piece. The heretofore inexplicable practice of reporting the felicitous reuniting with their owners of various precious articles - not to mention various pet animals - appears to be an irresistible and time-honored staple of journals and journalism. 2. Various indications that the composition and proceedings of coin clubs has changed little since 1877. 3. The peeved admission that the French commemorative issue for America's first bicentennial is of better quality than the artistry of our domestic offerings. 4. N.B. for oly - search for the term "real money". *You will find particular delight upon seeing your very own pet screeds anent the sensory pleasure of silver specie and the repulsiveness of fiat money reproduced there 132 years ahead of your time. *If I had the stamps, I would increase my holdings in said specie. As yet I have only skimmed less than ten per centum of the contents of this amazing chronicle, but cannot resist closing with a lengthy but instructive declamation in the artistic merit (or perceived lack thereof) of U.S. coinage in the year 1877. *Any relation to similar screeds in this newsgroup must certainly be coincidental, because the following was written during what most would consider part of the "golden age" of U.S. coin design. *Remember, this is in 1877: "Why is it that we have the ugliest money of all civilized nations? For such undoubtedly our silver coinage is. The design is poor, commonplace, tasteless, characterless, and the execution is like thereunto. Our silver coins do not even look like money. They have rather the appearance of tokens or mean medals. One reason of this is that the design is so inartistic and so insignificant. That young woman sitting on nothing in particular, wearing nothing to speak of, looking over her shoulder at nothing imaginable, and bearing in her left hand something that looks like a broomstick with a woolen nightcap on it what is she doing there? What is the meaning of her? She is Liberty, we are told, and there is a label to that effect across a shield at her right, her need of which is not in any way manifest. But she might as well be anything else as Liberty; and at the first glance she looks much more like a spinster in her smock, with a distaff in her hand. "Such a figure has no proper place upon a coin. On the reverse the eagle has the contrary fault of being too natural, too much like a real eagle. In numismatic art animals have conventional forms, which are far more pleasing and effective than the most careful and exact imitation of nature can be. Compare one of our silver coins with those of Great Britain, France or Germany, and see how mean, slight, flimsy, inartistic and unmoneylike it looks. Our coins of forty or fifty years ago were much better in every respect, and looked much more like money, the reason being that they bore a head of Liberty which was bold, clear, and well defined in comparison with the weak thing that the Mint has given us for the last thirty years or so. The eagle too, although erring on the side of naturalness, was more suited in design to coinage. "But still better were the coins struck at the end of the last century and the beginning of this one. The eagle was a real heraldic eagle, the head of Liberty had more character, and the whole work was bolder and better in every way. But even they had the great defect *fell asleep, woke up, and trimmed some text* be the most beautiful and the most fraught with associations of historic interest and national pride. We commend the subject to the attention of the House, and hope that some member may be found who will take it up and bring it before the people." Plus ça change, plus ça le même chose. Conclusion: Oly is a tired, old blowhard. |
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