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Flaw or advantage?
Even if a book is "fine" I am under the impression that the presence of a book-
plate reduces the condition to "near fine." But what about a book that has the book-plate of a fairly well known author? In this case the author is Paul Horgan, who, while not exactly a celebrity, did win two Pulitzer prizes. Is his book-plate a flaw or an advantage? Thanks, as always, for your thoughts. Jonathan |
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#3
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#4
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"Htn963" wrote in message
om... It is obviously an advantage in terms of adding collectible value, but to me any bookplate (no matter how subtle or tasteful or where they came from) is a physical alteration of the original book and downgrades its condition. To me that is fetishizing "condition" to a ridiculous degree. What about a handwritten correction by the author? That too is a "physical alteration of the original book." It is also a parochialism because that kind of emphasis on the original condition pertains almost exclusively to modern first editions. If one collects material dating before the mid-19/c, those kinds of concerns are moot. In fact, one is usually quite happy to see a bookplate. William M. Klimon http://www.catholicbookcollector.com |
#5
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"Jbrodie1750" wrote in message
... Even if a book is "fine" I am under the impression that the presence of a book- plate reduces the condition to "near fine." But what about a book that has the book-plate of a fairly well known author? In this case the author is Paul Horgan, who, while not exactly a celebrity, did win two Pulitzer prizes. Is his book-plate a flaw or an advantage? I'd be interested to know which book. I have a modest Horgan gathering (it's hardly a collection). I got interested in him because there isn't a lot of other American, prize-winning Church history. I read his CENTURIES OF SANTA FE when I visited there a year ago. He also edited an anthology of the writings of Maurice Baring, scion of the banking family, poet, translator, and convert. Baring is included in a famous portrait by Sir James Gunn--with his friends Chesterton and Belloc: http://www.npg.org.uk/live/search/po...rNo=4&role=art William M. Klimon http://www.catholicbookcollector.com |
#6
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Jonathan,
If one is referring to modern first editions, the presence of a bookplate could be considered to be a flaw; however, there are some book collectors, myself included, who collect books from the libraries of authors, and other famous people. In most cases, the presence of the bookplate helps to establish provenance, and will increase the value of a book. There have been instances, however, where a copy of an author's bookplate has been pasted onto a book in order to give the false assumption that the book came from an author's library. In the past, copies of Jack London's bookplate, for one, have been pasted to books simply to increase their values. In some cases, knowing who you're buying from, and relying on their reputation, is the only means one has of verifying the provenance of a book. Having said all that, one of my recent acquisitions for MY Sentimental Library, bought from a reputable bookseller, is the book, Host With the Big Hat, New York, 1969. It contains the bookplate of Erle Stanley Gardner on the front pastedown, but it is not from his library! In fact, I don't know whose library the book is from. A TLS from Erle Stanley Gardner, in Spanish and in English, is pasted on the ffep, and provides some information about the circumstances surrounding the gift of this book: "...Having just emerged from a four weeks stay in the hospital with special nurses around the clock, I am too wobbly to personally inscribe this book to you, but I want you to have it without delay and I want you to know how much we appreciate the hospitality which was extended to us, the friendship of our Mexican friends and the cooperation of our friends north of the border." With best wishes, Erle Stanley Gardner 2 Dec. 1969 http://www.tinyurl.com/2hbkv Hopefully, when I read this book, Gardner will help me identify the "host" to whom he gave this book to. Of course, if there are any Erle Stanley Gardner collectors out there who know who this host with the big hat is...... Jerry Morris (Jbrodie1750) Even if a book is "fine" I am under the impression that the presence of a book- plate reduces the condition to "near fine." But what about a book that has the book-plate of a fairly well known author? In this case the author is Paul Horgan, who, while not exactly a celebrity, did win two Pulitzer prizes. Is his book-plate a flaw or an advantage? Thanks, as always, for your thoughts. Jonathan Welcome to Moi's Books About Books: http://www.tinyurl.com/hib7 My Sentimental Library http://www.picturetrail.com/mylibrary and moislibrary.com http://www.tinyurl.com/hisn |
#7
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Even if a book is "fine" I am under the impression that the presence of
a book- plate reduces the condition to "near fine." But what about a book that has the book-plate of a fairly well known author? In this case the author is Paul Horgan, who, while not exactly a celebrity, did win two Pulitzer prizes. Is his book-plate a flaw or an advantage? Thanks, as always, for your thoughts. Jonathan Welcome to Moi's Books About Books: http://www.tinyurl.com/hib7 My Sentimental Library http://www.picturetrail.com/mylibrary and moislibrary.com http://www.tinyurl.com/hisn Somewhat subjective. State the genuine condition of the book and the presence of inscriptions or book plates. Personally, I am interested in the HISTORY of any book I own... some ranging hundreds of years. I like to know where they have come from. I can get a virgin paperback anytime. One set from the collection of the Duke of Montrose is very appealing to me (1770). Another from Cecil B DeMille's library (some first release of Mitchell's in May 1936...). But overall? I like to know who I owe the thanks to for preserving these books for my enjoyment -famous or not. A previous owner's name is welcome in my library anytime. For what it's worth... |
#8
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I'd be interested to know which book. Actually I have several books with Horgan's book plate. They are all books about music (Horgan was a voice student at Eastman and a good friend of my lexographical super-hero, Nicolas Slonimsky.) The book a Berlioz; Evenings With The Orchestra Memoirs of Hector Berlioz Slonimsky: Music Since 1900 ( inscribed by Slonimsky to Horgan) Memoirs of Lorenzo Da Ponte My plan is to sit down soon and read one of Horgan's novels. Any suggestions as to which one? Jonathan |
#9
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"Jbrodie1750" wrote in message
... Actually I have several books with Horgan's book plate. They are all books about music (Horgan was a voice student at Eastman and a good friend of my lexographical super-hero, Nicolas Slonimsky.) Interesting. I did not know the bit about Eastman--that is never mentioned in any of his bio blurbs: see, e.g., the entire back of the dj for CENTURIES OF SANTA FE is taken up with his bio, including mentions of attending the Nardin Academy, public schools in Albuquerque, and NMMI. The only related mention is: "After a period as a member of the production staff of the Eastman Theater in Rochester, New York, he joined the faculty of NMMI as librarian . . . ." My plan is to sit down soon and read one of Horgan's novels. Any suggestions as to which one? I've only ever read his nonfiction: LAMY OF SANTA FE, GREAT RIVER, etc. His second novel is about a composer, though: NO QUARTER GIVEN. William M. Klimon http://www.catholicbookcollector.com |
#10
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Interesting. I did not know the bit about Eastman--that is never mentioned
in any of his bio blurbs http://sibley.esm.rochester.edu:8080...ids/horgan.htm has a brief bio. Thanks for the suggestion. Since I'm a viola player, I might as well start out with NO QUARTER GIVEN. (Which is usally what happens to viola players when they play a gig...!) Jonathan |
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