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#11
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OT Question for RF
Bruce Remick wrote:
"RWF" wrote in message ... "Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... RWF wrote: "oly" wrote in message ... There was a fellow who had scads of Hardy Boys (in tan-colored hard covers) out at the flea market today. My guess is that they were vintage 1946-1955. When I got around to reading the H.B. in the late 1960s, the covers were illustrated in color. I've never followed these things. Is there any thing in that vintage of H.B. that one should look for? The seller wanted $2.50 each, probably could have bought the lot for less than that per copy. Tan covered books without dust jackets are practically worthless. As a bibliophile, I share the phobia about antiquarian books that lack dj. But why is this? Numismatists have their cleaning issues, but why do book collectors often pay more for a dj than for the book itself? There's gotta be some deep, philosophical, psychological cause. 'Splain that one, if you can. Why do people pay thru the nose for DJs? Probably they're mostly purists who insist on their edition being as issued. Like registry set collectors. I can understand when I see penny bubble gum card wrappers from the 1940's and 1950's selling for hundreds of dollars. If I had saved all the discarded wrappers from the cards I bought in the 1940's alone, I could finance Ira on a coin buying spree today. I remember the owner of the little store where we bought our cards yelling at us not to throw all those wrappers on the ground outside his store. The fact that we showed such disdain for them then contributes to their rarity today. Why we care today about Bazooka Joe and Pud cartoons printed on wax paper is another issue entirely. James |
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#12
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OT Question for RF
"Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... RWF wrote: "Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... RWF wrote: "oly" wrote in message ... There was a fellow who had scads of Hardy Boys (in tan-colored hard covers) out at the flea market today. My guess is that they were vintage 1946-1955. When I got around to reading the H.B. in the late 1960s, the covers were illustrated in color. I've never followed these things. Is there any thing in that vintage of H.B. that one should look for? The seller wanted $2.50 each, probably could have bought the lot for less than that per copy. Tan covered books without dust jackets are practically worthless. As a bibliophile, I share the phobia about antiquarian books that lack dj. But why is this? Numismatists have their cleaning issues, but why do book collectors often pay more for a dj than for the book itself? There's gotta be some deep, philosophical, psychological cause. 'Splain that one, if you can. Why do people pay thru the nose for DJs? In the realm of juvenile book collecting, finding books with decent DJs is not so simple given their initial target audience. The attrition rate among juvenile book djs is truly appalling. As in coin collecting, condition is everything (well almost everything). Furthermore the DJ is critical in dating the publication year of the book (they were reprinted for years on end). Witness the Hardy Boys: they've been in print continuously since 1927. Nancy Drew likewise since 1930. Early first editions with DJs are extremely valuable, going into the mid to upper 4 figure range. OTOH common 1950's editions with decent DJs are lucky to sell at all on eBay. Why do people collect juvenile series books? In part it may be an effort to recapture pleasant moments from youth. Or efface bad moments from youth. Yeah, that all makes sense, but I would think that a lot of people my (our?) age would view 1950s editions with dj as highly desirable. Very few of us could have afforded to put a complete set together back then, and only now do we have the ability to do so (maybe), for a variety of reasons. A friend of mine has the complete series of Tom Swift books, and he's in ecstasy about it. I have no idea what vintage, or the dj situation, but I'd guess there are more guys around like him. Would I be correct in guessing that those early editions under dj normally sell for more than any "price guides" might indicate? The accepted price guides for Hardy Boys and Nancy Drew are fairly accurate. 1950s DJ editions are fairly common - the 50's was the golden age of series books in terms of production ergo there are more copies extant. |
#13
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OT Question for RF
RWF wrote:
"Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... RWF wrote: "Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... RWF wrote: "oly" wrote in message ... There was a fellow who had scads of Hardy Boys (in tan-colored hard covers) out at the flea market today. My guess is that they were vintage 1946-1955. When I got around to reading the H.B. in the late 1960s, the covers were illustrated in color. I've never followed these things. Is there any thing in that vintage of H.B. that one should look for? The seller wanted $2.50 each, probably could have bought the lot for less than that per copy. Tan covered books without dust jackets are practically worthless. As a bibliophile, I share the phobia about antiquarian books that lack dj. But why is this? Numismatists have their cleaning issues, but why do book collectors often pay more for a dj than for the book itself? There's gotta be some deep, philosophical, psychological cause. 'Splain that one, if you can. Why do people pay thru the nose for DJs? In the realm of juvenile book collecting, finding books with decent DJs is not so simple given their initial target audience. The attrition rate among juvenile book djs is truly appalling. As in coin collecting, condition is everything (well almost everything). Furthermore the DJ is critical in dating the publication year of the book (they were reprinted for years on end). Witness the Hardy Boys: they've been in print continuously since 1927. Nancy Drew likewise since 1930. Early first editions with DJs are extremely valuable, going into the mid to upper 4 figure range. OTOH common 1950's editions with decent DJs are lucky to sell at all on eBay. Why do people collect juvenile series books? In part it may be an effort to recapture pleasant moments from youth. Or efface bad moments from youth. Yeah, that all makes sense, but I would think that a lot of people my (our?) age would view 1950s editions with dj as highly desirable. Very few of us could have afforded to put a complete set together back then, and only now do we have the ability to do so (maybe), for a variety of reasons. A friend of mine has the complete series of Tom Swift books, and he's in ecstasy about it. I have no idea what vintage, or the dj situation, but I'd guess there are more guys around like him. Would I be correct in guessing that those early editions under dj normally sell for more than any "price guides" might indicate? The accepted price guides for Hardy Boys and Nancy Drew are fairly accurate. 1950s DJ editions are fairly common - the 50's was the golden age of series books in terms of production ergo there are more copies extant. Still, I bet you don't just slap a nice set together by going to the monthly flea market. It'd sure impress the socks off me, all lined up on a bookshelf, even if they had no market value at all. Sort of like a circ set of Lincolns from 1941 forward. James |
#14
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OT Question for RF
In article , "RWF" wrote:
"Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... RWF wrote: "Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... RWF wrote: "oly" wrote in message ... There was a fellow who had scads of Hardy Boys (in tan-colored hard covers) out at the flea market today. My guess is that they were vintage 1946-1955. When I got around to reading the H.B. in the late 1960s, the covers were illustrated in color. I've never followed these things. Is there any thing in that vintage of H.B. that one should look for? The seller wanted $2.50 each, probably could have bought the lot for less than that per copy. Tan covered books without dust jackets are practically worthless. As a bibliophile, I share the phobia about antiquarian books that lack dj. But why is this? Numismatists have their cleaning issues, but why do book collectors often pay more for a dj than for the book itself? There's gotta be some deep, philosophical, psychological cause. 'Splain that one, if you can. Why do people pay thru the nose for DJs? In the realm of juvenile book collecting, finding books with decent DJs is not so simple given their initial target audience. The attrition rate among juvenile book djs is truly appalling. As in coin collecting, condition is everything (well almost everything). Furthermore the DJ is critical in dating the publication year of the book (they were reprinted for years on end). Witness the Hardy Boys: they've been in print continuously since 1927. Nancy Drew likewise since 1930. Early first editions with DJs are extremely valuable, going into the mid to upper 4 figure range. OTOH common 1950's editions with decent DJs are lucky to sell at all on eBay. Why do people collect juvenile series books? In part it may be an effort to recapture pleasant moments from youth. Or efface bad moments from youth. Yeah, that all makes sense, but I would think that a lot of people my (our?) age would view 1950s editions with dj as highly desirable. Very few of us could have afforded to put a complete set together back then, and only now do we have the ability to do so (maybe), for a variety of reasons. A friend of mine has the complete series of Tom Swift books, and he's in ecstasy about it. I have no idea what vintage, or the dj situation, but I'd guess there are more guys around like him. Would I be correct in guessing that those early editions under dj normally sell for more than any "price guides" might indicate? The accepted price guides for Hardy Boys and Nancy Drew are fairly accurate. 1950s DJ editions are fairly common - the 50's was the golden age of series books in terms of production ergo there are more copies extant. what about the war time editions that have turnd yellow becuase of the crappy papers? |
#15
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OT Question for RF
"Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... RWF wrote: "Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... RWF wrote: "oly" wrote in message ... There was a fellow who had scads of Hardy Boys (in tan-colored hard covers) out at the flea market today. My guess is that they were vintage 1946-1955. When I got around to reading the H.B. in the late 1960s, the covers were illustrated in color. I've never followed these things. Is there any thing in that vintage of H.B. that one should look for? The seller wanted $2.50 each, probably could have bought the lot for less than that per copy. Tan covered books without dust jackets are practically worthless. As a bibliophile, I share the phobia about antiquarian books that lack dj. But why is this? Numismatists have their cleaning issues, but why do book collectors often pay more for a dj than for the book itself? There's gotta be some deep, philosophical, psychological cause. 'Splain that one, if you can. Why do people pay thru the nose for DJs? In the realm of juvenile book collecting, finding books with decent DJs is not so simple given their initial target audience. The attrition rate among juvenile book djs is truly appalling. As in coin collecting, condition is everything (well almost everything). Furthermore the DJ is critical in dating the publication year of the book (they were reprinted for years on end). Witness the Hardy Boys: they've been in print continuously since 1927. Nancy Drew likewise since 1930. Early first editions with DJs are extremely valuable, going into the mid to upper 4 figure range. OTOH common 1950's editions with decent DJs are lucky to sell at all on eBay. Why do people collect juvenile series books? In part it may be an effort to recapture pleasant moments from youth. Or efface bad moments from youth. Yeah, that all makes sense, but I would think that a lot of people my (our?) age would view 1950s editions with dj as highly desirable. Very few of us could have afforded to put a complete set together back then, and only now do we have the ability to do so (maybe), for a variety of reasons. A friend of mine has the complete series of Tom Swift books, and he's in ecstasy about it. I have no idea what vintage, or the dj situation, but I'd guess there are more guys around like him. Would I be correct in guessing that those early editions under dj normally sell for more than any "price guides" might indicate? James I have two Tom Swift books and a few others from the 1960's, I love the dust jacket illustrations and would not buy a book without a DJ. Billy |
#16
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OT Question for RF
note.boy wrote:
"Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... RWF wrote: "Mr. Jaggers" lugburzman[at]yahoo[dot]com wrote in message ... RWF wrote: "oly" wrote in message ... There was a fellow who had scads of Hardy Boys (in tan-colored hard covers) out at the flea market today. My guess is that they were vintage 1946-1955. When I got around to reading the H.B. in the late 1960s, the covers were illustrated in color. I've never followed these things. Is there any thing in that vintage of H.B. that one should look for? The seller wanted $2.50 each, probably could have bought the lot for less than that per copy. Tan covered books without dust jackets are practically worthless. As a bibliophile, I share the phobia about antiquarian books that lack dj. But why is this? Numismatists have their cleaning issues, but why do book collectors often pay more for a dj than for the book itself? There's gotta be some deep, philosophical, psychological cause. 'Splain that one, if you can. Why do people pay thru the nose for DJs? In the realm of juvenile book collecting, finding books with decent DJs is not so simple given their initial target audience. The attrition rate among juvenile book djs is truly appalling. As in coin collecting, condition is everything (well almost everything). Furthermore the DJ is critical in dating the publication year of the book (they were reprinted for years on end). Witness the Hardy Boys: they've been in print continuously since 1927. Nancy Drew likewise since 1930. Early first editions with DJs are extremely valuable, going into the mid to upper 4 figure range. OTOH common 1950's editions with decent DJs are lucky to sell at all on eBay. Why do people collect juvenile series books? In part it may be an effort to recapture pleasant moments from youth. Or efface bad moments from youth. Yeah, that all makes sense, but I would think that a lot of people my (our?) age would view 1950s editions with dj as highly desirable. Very few of us could have afforded to put a complete set together back then, and only now do we have the ability to do so (maybe), for a variety of reasons. A friend of mine has the complete series of Tom Swift books, and he's in ecstasy about it. I have no idea what vintage, or the dj situation, but I'd guess there are more guys around like him. Would I be correct in guessing that those early editions under dj normally sell for more than any "price guides" might indicate? James I have two Tom Swift books and a few others from the 1960's, I love the dust jacket illustrations and would not buy a book without a DJ. Billy DJs are like frosting on the cake, and I, for one, love frosting. James |
#17
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OT Question for RF
"note.boy" wrote in message
... I have two Tom Swift books and a few others from the 1960's, I love the dust jacket illustrations and would not buy a book without a DJ. Billy The artwork of the Tom Swift Jr. series is great, as is the full color cover art of the original Tom Swift series. BTW: The Swift Jr. cover art is also on the "picture cover" books that followed the DJ editions in 1962. |
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