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#21
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DeserTBob going through his yearly holiday depression-again
"still_trackin" wrote I can align that deck for you, if you want. Where are you located ?- Hide quoted text - - Show quoted text - Last night I took the bottom off and experimented with turning the flat head screw for head height. Figured if I messed up I could take it in as I intended anyway, so I gave it a shot. Using my copy of Exile On Main St. which was playing track 2 with quite a bit of track 3 bleed thru, I turned the screw until only the correct track could be heard. This was done on tracks 2 and 3 as suggested. This tape BTW plays fine on all other decks, so I thought it might be a good starting point. Played other tapes that I could hear bleed thru inbetween tracks originally and heard virtually none. Only my EMI copy of The Beatles Love Songs which is a double tape, had a small amount when I listened closely. Not bad considering this tape exhibits this on a couple other decks anyway. Anyway it seemed to help the problem for the most part. I listened to the deck for several hours last night and the sound is excellent....azimuth seems pretty accurate. I have it currently running thru my Audio Research tube system and actually sounds pretty decent, plus I like having a tuner to use with that set up. Still plan on using it in another system as I mentioned before in the future. Will start looking around for an amp after the holidays. Gotta go now....helping my other half with Thanksgiving preps! Enjoy your turkey day! get yourself an AKAI M8 or ROBERTS 770X tube amped reel to reel, it will unlock the true magic of that Akai deck good work on the head alignment keep in mind, only align your deck with carts that have good pads, or replace the pads first my main Roberts 808D (same as Akai 80) deck, I have cut a small square access hole in the bottom, so I don't have to remove the bottom cover to adjust tracking/azimuth. If you want, you can then play the deck standing u p on its side- and adjust tracking for every tape, before playing it. |
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#22
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DeserTBob going through his yearly holiday depression-again
"still_trackin" Didn't want to open a can of worms here....I guess it was a case of mistaken identity. No prob DB! Wish this group could get back to the original focus of "fans of the endless loop"....you guys are very knowledgable on the subject....it's a shame time and space is wasted on the same old flaming that has become overly repetitive and quite frankly boring. I for one don't need to be constantly reminded of another members life/practices. That's not why I view this group. The reason I joined this group in the first place was that the other group never responded to any of my posts. Not sure why? Newbie? Who knows! It was nice to get a quick and informative response to my posts from you guys, I appreciate that and value the information. Enjoy your holiday and keep those carts playing! P.S. I'm looking into having the CR-80T worked on by a qualified tech in my area....it's a keeper and I don't think I'm up to the job of head alignment etc., you didn't open a can of worms- delusional DeserTBob wigged out on you- the guy is cracked. All this over a tape he bought 3 years ago, that he returned for a full refund- he's so amped up over it, he's blaming you, thinking you are the seller of that tape. You make the call...DeserTBob is an insane sociopath |
#23
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DeserTBob going through his yearly holiday depression-again
On Thu, 22 Nov 2007 04:24:22 -0800 (PST), trippin-2-8-track
wrote: I can align that deck for you, if you want. Where are you located ? snip Do NOT allow this fraudster/diddler to touch your equipment. He has no knowledge of electronics or analog tape, and got into the hobby for the same reason he's getting into 8/S8 film...he thinks he can "corner the market" and make lots of bucks. Your local TV repair guy is probably a much better option, but make sure he's got the main. Akai alignment, to be done right, takes the proper procedure and an experienced technician. Also, Noodles doesn't even HAVE a decent alignment tape. Those "copies of copies" he sells on eBay are all homemade fakes. |
#24
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insane Charlie Nudo so delusional, he thinks his criminal past will just disappear
try an M8 or 770X, you won't regret it
ps- DeserTBob and Ricky Suicide are back in the freezer, so just ignore them-killfile is the remedy "still_trackin" wrote in message ... On Nov 21, 11:14 am, BACK TAXES at BUMLER wrote: On Wed, 21 Nov 2007 09:44:30 -0700, NO BIDS NOODLES wrote: look at what he's doing now, he thinks you're a "scamming ebay seller" snip No, ****wad...I thought he was you, due to a newsreader malfunction. I gave my apologies. However, your criminal activities are still there for all to see. snip ...and here's the recap of SOME of Charlie Nudo's criminal activities on eBay: Regarding the "refund," the facts are clear, and the evidence clearly exists. 1.) After I complained that your tape was a blatant fake, you told me "these things happen" and to return the fake tape at my cost to your Drums, PA address. I was smart enough, after being ripped off by you for a really bad copy of "So Wrong, They're Right" to match the two addresses and find that both "coolsitesnsounds" and "66fourdoor" were indeed one and the same fraudster, Charlie Nudo of Drums, PA. I wisely added Delivery Confirmation to the postage. 2.) Weeks after the tape arrived AT YOUR RESIDENCE, you told me "no tape, no refund" after I again demanded a refund check. When I produced the Delivery Confirmation evidence, your story changed immediately and you sent a personal check (of which I have a scan) for $40, on which you then threatened in this newsgroup to stop payment. 3.) The sale of this tape was in violation of eBay's stated policies, in that you wrote me after I lost the auction, saying that you had "a lot of these tapes around" and that I "could have one for $40." What a deal! A ripoff, fake copy of a worn out Radio Shack cartridge, of a not-to-good original, which I later tested and found to be completely useless for purposes of head alignment on 8 track cart machines. Selling auction items outside of eBay during an auction is a violation of eBay Terms of Service, and your account was suspended for awhile not long after...one of several times. 4.) You also engaged in illegal duplication and sale of copies of Russ Fortster's mini documentary film, "So Wrong, They're Right," for which your "coolsitesnsounds" account was terminated on eBay. The crappy copy I got was dubbed onto a worn out rental VHS cassette from which you peeled off the labels and stuck your own ridiculous, typewritten label. The tape was unacceptably full of dropouts and was of poor quality, due to being done on a machine with worn out heads. 5.) You engaged in illegal copying of Q8 cartridges, for which you got a warning and another account shutdown. All of this is well documented to the point of being common public knowledge, and I have your emails, complete with headers and ID and IP numbers, to prove your statements. And so DeserTBob continues this malarchy and nonsense, to this day, in this NG. snip And will until you're gone for good. One can ponder, why didn't DeserTBob just accept his refund, and walk away like any other sane person ?? One fella from Arizona offered this reason- "DeserTBob is cracked". snip Another "mouse in your pocket," Noodles? Funny how all your Usenet "friends" don't seem to last very long, but your enemies abound. If anyone's "cracked" around here, it's you, as well as your being a proven petty criminal and thief. That's not a "smear" campaign...that's the truth. Your other problems, exhibited by your political and religious insanity, are all over Usenet, should anyone want to evaluate your mental instability. Charlie Nudo Drums, PA "66-catalina" on eBay ...a fraudster to avoid. I'm giving the amp/receiver some thought. A guy I know says he has an integrated Sansui AU-7700 he might want to sell in real nice shape for about $100.00. I think it's about 80w per channel....might be able to get him down on the price. Also know of an old Eico tube integrated/tuner set up that the guy who owns the TV/Radio repair shop I use has. Nice vintage kit set from the late 50's, but is only 14w per channel. Would need very sensitive 95db etc., speakers to be able to drive well. Klipsch perhaps? Might not be as revealing as my ARC tube gear which is probably a good thing. But the amp might also need to be refurbished to bring it up to speed, and he might want more than the amp/tuner is worth if he's willing to part with it at all! I guess he actually built them back in the day. I'm Still Looking for now. |
#25
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insane Charlie Nudo so delusional, he thinks his criminal past will just disappear
On Fri, 23 Nov 2007 18:46:11 -0500, "trippin-2-8-trak"
wrote: try an M8 or 770X, you snip ....will wonder, "That Charlie Nudo MUST be delusional! These old pieces of pot metal are worthless!" ps- DeserTBob and Ricky Suicide are back in the freezer, so just ignore them-killfile is the remedy snip Charlie Nudo is unable to "kill file." He uses Goo Goo's worthless HTML interface for Goo Goo Groopz, and tries (without a lot of success) to use Microshaft Outlook to get on his offshore non-anonymous server...from which he's already been booted twice for spamming. Why does Charlie Nudo lie so much? What does he concoct non-existant stories about what he knows, what he can do, what he possess, all to impress a very small group in here who almost universally hate him? Answer: Paranoid delusions, a sign of a serious mental illness. ....not to mention his collecting of Welch's grape jelly jars! SCRRRRRRRRRRRAPPY DOOOOOOOOOOO! WHERE ARE YOOOOOOOOOU? |
#26
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insane Charlie Nudo so delusional, he thinks his criminal pastwill just disappear
On Nov 23, 5:46 pm, "trippin-2-8-trak" wrote:
try an M8 or 770X, you won't regret it ps- DeserTBob and Ricky Suicide are back in the freezer, so just ignore them-killfile is the remedy "still_trackin" wrote in message ... On Nov 21, 11:14 am, BACK TAXES at BUMLER wrote: On Wed, 21 Nov 2007 09:44:30 -0700, NO BIDS NOODLES wrote: look at what he's doing now, he thinks you're a "scamming ebay seller" snip No, ****wad...I thought he was you, due to a newsreader malfunction. I gave my apologies. However, your criminal activities are still there for all to see. snip ...and here's the recap of SOME of Charlie Nudo's criminal activities on eBay: Regarding the "refund," the facts are clear, and the evidence clearly exists. 1.) After I complained that your tape was a blatant fake, you told me "these things happen" and to return the fake tape at my cost to your Drums, PA address. I was smart enough, after being ripped off by you for a really bad copy of "So Wrong, They're Right" to match the two addresses and find that both "coolsitesnsounds" and "66fourdoor" were indeed one and the same fraudster, Charlie Nudo of Drums, PA. I wisely added Delivery Confirmation to the postage. 2.) Weeks after the tape arrived AT YOUR RESIDENCE, you told me "no tape, no refund" after I again demanded a refund check. When I produced the Delivery Confirmation evidence, your story changed immediately and you sent a personal check (of which I have a scan) for $40, on which you then threatened in this newsgroup to stop payment. 3.) The sale of this tape was in violation of eBay's stated policies, in that you wrote me after I lost the auction, saying that you had "a lot of these tapes around" and that I "could have one for $40." What a deal! A ripoff, fake copy of a worn out Radio Shack cartridge, of a not-to-good original, which I later tested and found to be completely useless for purposes of head alignment on 8 track cart machines. Selling auction items outside of eBay during an auction is a violation of eBay Terms of Service, and your account was suspended for awhile not long after...one of several times. 4.) You also engaged in illegal duplication and sale of copies of Russ Fortster's mini documentary film, "So Wrong, They're Right," for which your "coolsitesnsounds" account was terminated on eBay. The crappy copy I got was dubbed onto a worn out rental VHS cassette from which you peeled off the labels and stuck your own ridiculous, typewritten label. The tape was unacceptably full of dropouts and was of poor quality, due to being done on a machine with worn out heads. 5.) You engaged in illegal copying of Q8 cartridges, for which you got a warning and another account shutdown. All of this is well documented to the point of being common public knowledge, and I have your emails, complete with headers and ID and IP numbers, to prove your statements. And so DeserTBob continues this malarchy and nonsense, to this day, in this NG. snip And will until you're gone for good. One can ponder, why didn't DeserTBob just accept his refund, and walk away like any other sane person ?? One fella from Arizona offered this reason- "DeserTBob is cracked". snip Another "mouse in your pocket," Noodles? Funny how all your Usenet "friends" don't seem to last very long, but your enemies abound. If anyone's "cracked" around here, it's you, as well as your being a proven petty criminal and thief. That's not a "smear" campaign...that's the truth. Your other problems, exhibited by your political and religious insanity, are all over Usenet, should anyone want to evaluate your mental instability. Charlie Nudo Drums, PA "66-catalina" on eBay ...a fraudster to avoid. I'm giving the amp/receiver some thought. A guy I know says he has an integrated Sansui AU-7700 he might want to sell in real nice shape for about $100.00. I think it's about 80w per channel....might be able to get him down on the price. Also know of an old Eico tube integrated/tuner set up that the guy who owns the TV/Radio repair shop I use has. Nice vintage kit set from the late 50's, but is only 14w per channel. Would need very sensitive 95db etc., speakers to be able to drive well. Klipsch perhaps? Might not be as revealing as my ARC tube gear which is probably a good thing. But the amp might also need to be refurbished to bring it up to speed, and he might want more than the amp/tuner is worth if he's willing to part with it at all! I guess he actually built them back in the day. I'm Still Looking for now.- Hide quoted text - - Show quoted text - As far as tube based reel to reel decks are concerned. My Dad still has a 1961 Revere T-2200 Stereo recorder. He recently tried it out and said it still works ok. He's giving it to me when I see him for Xmas. I remember playing that deck when I was a kid back in the day and the sound was very good. BTW.....anyone know what kind of tubes are used in this deck? I posted a request on another news group about reeltoreel and haven't got a response yet. My Dad took off the bottom and looked at the original tubes, but the markings are mostly worn off. I'll only replace them if I need to. Want to keep the NOS tubes if possible. When I get the deck I'll try playing both cds and 8 tracks thru it, using it like a tube buffer stage. It might sound pretty nice. I think I still have a few 71/2 ips pre-recorded rock tapes laying around somewhere. Will give those a listen as well. Hope everyone had a nice holiday! Later |
#27
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insane Charlie Nudo so delusional, he thinks his criminal past will just disappear
On Fri, 23 Nov 2007 20:20:57 -0800 (PST), still_trackin
wrote: As far as tube based reel to reel decks are concerned. My Dad still has a 1961 Revere T-2200 Stereo recorder. He recently tried it out and said it still works ok. He's giving it to me when I see him for Xmas. I remember playing that deck when I was a kid back in the day and the sound was very good. BTW.....anyone know what kind of tubes are used in this deck? I posted a request on another news group about reeltoreel and haven't got a response yet. My Dad took off the bottom and looked at the original tubes, but the markings are mostly worn off. I'll only replace them if I need to. Want to keep the NOS tubes if possible. snip Don't do the usual mistake of "wholesaling" all the tubes...most might still be working just fine. In consumer grade tube gear, it's usually capacitors that give 90% of the grief over time. Late '50s-early '60s US made tubes were quite hardy, if not as esoteric as their European cousins. Revere made decent machines back then, if not professional in nature. Most of 3M's Revere output was to industrial/institutional/educational markets, but the 4 track reverse stereo format opened up a new market for them...until the Japanese swooped it away from them in a decade or so. Inside, you'll fine pretty run-of-the-mill tube types, such as 12AT7s or 12AX7s in the head preamp, with 12AU7 line amps, and the usual 5Y3 rectifier. By '61, there was a newer RCA industrial numbered tube (I forget the number) that was in favor for tape head preamps. It had more voltage gain than the 12AX7 used in cascode and was thus effectively quieter. This was important then, as 3M and Ampex were starting to introduce the first "low noise" tape oxide formulations, and the tape hiss was lowering enough to get within that magic 10 dB range of the electronics hiss, at which point white noise power becomes additive. I can't find my tube manual (old lady went through my library like a chainsaw recently), but you'll know the ones if you see them. Some cheaper stereo models also used a 6DJ8 twin triode for tape head preamps, with space saving and cost economy and little in the way of performance improvement. When I get the deck I'll try playing both cds and 8 tracks thru it, using it like a tube buffer stage. It might sound pretty nice. I think I still have a few 71/2 ips pre-recorded rock tapes laying around somewhere. Will give those a listen as well. Hope everyone had a nice holiday! Later snip You mean "filter stage." The Revere's line amp will improve nothing, and simply add distortion products and noise to whatever you feed through it. "Tube heads" seem to think this is some sort of improvement, but, strictly by the numbers, it's a degradation. Top end on the CDs will probably be degraded somewhat as well, although I don't seem to remember any inter stage transformers in Reveres that would surely cause this. Some time ago, there was a big business in wrecking out old Ampex studio machines, especially the 300s, to get the electronics out of them for brainless rock idiots to use as "mic preamps." Of course, this could have been done with a single tube, and most didn't even have the correct matching transformer in them. Funny how these baseless fads get started. Now, there are oodles of worn out 300 transports out there with no electronics, and they're going to the scrappers for the stainless steel and other good metal parts. NOT that the 300 was a really great machine, to be sure. Many "off speed" problems with many '50s and '60s recordings, even some major hits (Tommy James' "Crimson And Clover" and one of Three Dog Night's hit album cuts) had huge speed/pitch problems when the final edit came out due to speed variances caused by Ampex 300s in various states of wear and tear. The 350/351/354, with direct drive capstan, ended a lot of that and most 300s were in the junk pile or sold to "downstreamers" later. Later, the Ampex 400C, with its DC variable speed capstan, ended machine speed problems for all time. Digital recording HAS no "speed/pitch problems," so now it's an interesting anecdote from another era. |
#28
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insane Charlie Nudo so delusional, he thinks his criminal pastwill just disappear
On Nov 23, 11:03 pm, DeserTBoB wrote:
On Fri, 23 Nov 2007 20:20:57 -0800 (PST), still_trackin wrote: As far as tube based reel to reel decks are concerned. My Dad still has a 1961 Revere T-2200 Stereo recorder. He recently tried it out and said it still works ok. He's giving it to me when I see him for Xmas. I remember playing that deck when I was a kid back in the day and the sound was very good. BTW.....anyone know what kind of tubes are used in this deck? I posted a request on another news group about reeltoreel and haven't got a response yet. My Dad took off the bottom and looked at the original tubes, but the markings are mostly worn off. I'll only replace them if I need to. Want to keep the NOS tubes if possible. snip Don't do the usual mistake of "wholesaling" all the tubes...most might still be working just fine. In consumer grade tube gear, it's usually capacitors that give 90% of the grief over time. Late '50s-early '60s US made tubes were quite hardy, if not as esoteric as their European cousins. Revere made decent machines back then, if not professional in nature. Most of 3M's Revere output was to industrial/institutional/educational markets, but the 4 track reverse stereo format opened up a new market for them...until the Japanese swooped it away from them in a decade or so. Inside, you'll fine pretty run-of-the-mill tube types, such as 12AT7s or 12AX7s in the head preamp, with 12AU7 line amps, and the usual 5Y3 rectifier. By '61, there was a newer RCA industrial numbered tube (I forget the number) that was in favor for tape head preamps. It had more voltage gain than the 12AX7 used in cascode and was thus effectively quieter. This was important then, as 3M and Ampex were starting to introduce the first "low noise" tape oxide formulations, and the tape hiss was lowering enough to get within that magic 10 dB range of the electronics hiss, at which point white noise power becomes additive. I can't find my tube manual (old lady went through my library like a chainsaw recently), but you'll know the ones if you see them. Some cheaper stereo models also used a 6DJ8 twin triode for tape head preamps, with space saving and cost economy and little in the way of performance improvement. When I get the deck I'll try playing both cds and 8 tracks thru it, using it like a tube buffer stage. It might sound pretty nice. I think I still have a few 71/2 ips pre-recorded rock tapes laying around somewhere. Will give those a listen as well. Hope everyone had a nice holiday! Later snip You mean "filter stage." The Revere's line amp will improve nothing, and simply add distortion products and noise to whatever you feed through it. "Tube heads" seem to think this is some sort of improvement, but, strictly by the numbers, it's a degradation. Top end on the CDs will probably be degraded somewhat as well, although I don't seem to remember any inter stage transformers in Reveres that would surely cause this. Some time ago, there was a big business in wrecking out old Ampex studio machines, especially the 300s, to get the electronics out of them for brainless rock idiots to use as "mic preamps." Of course, this could have been done with a single tube, and most didn't even have the correct matching transformer in them. Funny how these baseless fads get started. Now, there are oodles of worn out 300 transports out there with no electronics, and they're going to the scrappers for the stainless steel and other good metal parts. NOT that the 300 was a really great machine, to be sure. Many "off speed" problems with many '50s and '60s recordings, even some major hits (Tommy James' "Crimson And Clover" and one of Three Dog Night's hit album cuts) had huge speed/pitch problems when the final edit came out due to speed variances caused by Ampex 300s in various states of wear and tear. The 350/351/354, with direct drive capstan, ended a lot of that and most 300s were in the junk pile or sold to "downstreamers" later. Later, the Ampex 400C, with its DC variable speed capstan, ended machine speed problems for all time. Digital recording HAS no "speed/pitch problems," so now it's an interesting anecdote from another era. Thanks DB for all the Revere info! Not much available online about these machines. Since I already have a great tube preamp....Audio Research SP-11 MK II, it doesn't really make too much sense running other components thru the Revere and then into the preamp. When I put together the other system which might be solid state gear, I might give it a try to see if it gives it a warmer sound. I know that cd players are available with tubes in the output stage, but I'm not sure if running a source thru the revere would benefit the same way. I will test the T-2200 with a few of the 7.5 Ampex tapes that I have.....Beatles,Stones,Zep,Tull etc., hard to find these tapes even on e Bay at reasonable prices. Not sure if paying $25.00+ for other titles would be worth it. Thanks again for the Revere info and I'll keep you posted when I get it up and running. |
#29
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insane Charlie Nudo so delusional, he thinks his criminal past will just disappear
On Sat, 24 Nov 2007 06:27:29 -0800 (PST), still_trackin
wrote: On Nov 23, 11:03 pm, DeserTBoB wrote: Thanks DB for all the Revere info! Not much available online about these machines. Since I already have a great tube preamp....Audio Research SP-11 MK II, it doesn't really make too much sense running other components thru the Revere and then into the preamp. snip Correct. When I put together the other system which might be solid state gear, I might give it a try to see if it gives it a warmer sound. I know that cd players are available with tubes in the output stage, but I'm not sure if running a source thru the revere would benefit the same way. snip Remember, that when measured and analyzed, "warmer tube sounds" actually means debilitated high frequency response, higher even order harmonic distortion and more noise...nothing more. I will test the T-2200 with a few of the 7.5 Ampex tapes that I have.....Beatles,Stones,Zep,Tull etc., hard to find these tapes even on e Bay at reasonable prices. Not sure if paying $25.00+ for other titles would be worth it. Thanks again for the Revere info and I'll keep you posted when I get it up and running. snip Paying big bucks for 35 year old consumer grade dupes makes no sense whatsoever, even less than 8 tracks. Remember, most people back in the tape days did NOT either 1.) routinely degauss their heads, and 2.) if they did, they did it improperly, causing worse magnetization than was there originally. Thus, most of these tapes, like their cassette and 8 track cousins, have at least partial erasure problems. The big collectibles in old consumer RTR tapes are the 2 track Westminster, Columbia, HIFITape and Omega releases. Most of these were bought new by true audiophiles back in the days of Berlant Concertones and were well cared for. Amazingly (and against all predictions,) these tapes, mostly dubbed on 3M's Scotch 111, still retain excellent fidelity. The big problem is that 111 is acetate backed tape, and they're extremely brittle. Usually one play on an Ampex or other true professional machine will break them into useless bits. |
#30
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insane Charlie Nudo so delusional, he thinks his criminal past ?will just disappear
still_trackin wrote:
[ 1961 Revere T-2200 stereo tape deck] BTW.....anyone know what kind of tubes are used in this deck? No idea. If you give me a voltmeter I can probably figure out whether the first couple of numbers are 6 or 12 or what, though. My Dad took off the bottom and looked at the original tubes, but the markings are mostly worn off. It sounds like you have enough tube gear to know this, but usually there's a little chart somewhere with a line drawing of the chassis and notes on which tubes go where. Sometimes it's in a fairly obvious spot, like on the back of the set with the model number and power requirements, or staring you in the face when you take the back off. But sometimes it's in a more "creative" spot. All the ones I have ever seen (which isn't too many) are pasted flat to some part of the cabinet or chassis - I haven't found any that are rolled up or in an envelope or anything like that. DB might be able to say whether your set is way too early or way too late for this, but I seem to recall that in a certain era, tube markings switched from a glass etch and/or tough paint to some kind of water- based ink or dye. The result is that if you're cleaning the dust out of an old set (unplugged, right?) with a damp rag, it's easy to wipe the markings right off of the tubes. I'll only replace them if I need to. Want to keep the NOS tubes if possible. Nit: The tubes that are in the set are only NOS if you're selling them on Ebay. "Original" would be a better description. New Old Stock tubes would be ones that have sat around unused for lo these many years. Matt Roberds |
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